{"id":31001,"date":"2026-08-18T22:24:09","date_gmt":"2026-08-18T20:24:09","guid":{"rendered":"https:\/\/globale-literaturfestival.de\/28-10-heike-geissler-600-p-m\/"},"modified":"2026-09-15T22:56:38","modified_gmt":"2026-09-15T20:56:38","slug":"28-10-heike-geissler-600-p-m","status":"publish","type":"post","link":"https:\/\/globale-literaturfestival.de\/en\/28-10-heike-geissler-600-p-m\/","title":{"rendered":"28.10. Heike Gei\u00dfler, 6:00 p.m."},"content":{"rendered":"\t\t
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28.10. Heike Gei\u00dfler, 6:00 p.m.<\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Michaela Kohlhaas<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\u201cHis sense of justice turned him into a robber and a murderer.\u201d So writes Heinrich von Kleist in his novella of the same name about the horse dealer Michael Kohlhaas, who exacts bloody revenge after suffering an injustice. Two hundred years later, his campaign of vengeance still serves as a model and guide for Michaela Kohlhaas, an assistant cemetery administrator.
Fueled by a deep-seated sense of arbitrariness and powerlessness, she becomes a rebel. Yet while Michaela Kohlhaas murders and pillages, she acts primarily with words: through escalation, exaggeration, sabotage, and spectacle. Like a supposed witch, she roams the countryside cursing and casting spells. And she comes to realize: It is a disadvantage to be a woman. It is a disadvantage to fight back. Yet even if the whole world declares her insane\u2014she marches \u201cwith banners flying\u201d toward her fate, hoping for a happy ending, yet sensing: There may not be such an ending after all. Heike Gei\u00dfler\u2019s *Michaela Kohlhaas* is a daring reimagining of Heinrich von Kleist\u2019s famous novella. Her Michaela is a scold, a foul-mouthed woman, a tender soul. A great lover who does not merely seek improvement\u2014she demands restitution and atonement. And a completely
different order of the world. <\/p>


Host: Svenja Reiner<\/strong><\/p>

In cooperation with the Arbeitnehmerkammer Bremen.<\/strong><\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Bremen Chamber of Employees
B\u00fcrgerstra\u00dfe 1
28195 Bremen<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t\t\tHeike Gei\u00dfler\t\t\t\t\t<\/h2>\n\t\t\t\t\n\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\tBorn in 1977 in Riesa, she grew up in Karl-Marx-Stadt (now Chemnitz) and currently lives in Leipzig. Her first published novel, *Rosa* (2002), was followed by many others and numerous awards. Most recently, Heike Gei\u00dfler won the Saxon Literature Prize (2026). She is co-editor of the series *L\u00fccken kann man lesen* and has served, among other roles, as a visiting lecturer at the Kassel Art Academy and at the Institute for Language Art at the University of Applied Arts in Vienna. \t\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t
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Photo: (c) Heike Steinweg<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Back to the 2026 \"
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Michaela Kohlhaas \u201cHis sense of justice turned him into a robber and a murderer.\u201d So writes Heinrich von Kleist in his novella of the same name about the horse dealer […]<\/p>\n","protected":false},"author":9,"featured_media":30198,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_xspeed_no_cache":false,"_xspeed_expiry_hours":0,"footnotes":"","_links_to":"","_links_to_target":""},"categories":[1066],"tags":[913,1091,912,1092],"class_list":["post-31001","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-2026-program","tag-globale-festival","tag-heike-geissler","tag-literature-festival","tag-michaela-kohlhaas"],"_links":{"self":[{"href":"https:\/\/globale-literaturfestival.de\/en\/wp-json\/wp\/v2\/posts\/31001","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/globale-literaturfestival.de\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/globale-literaturfestival.de\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/globale-literaturfestival.de\/en\/wp-json\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/globale-literaturfestival.de\/en\/wp-json\/wp\/v2\/comments?post=31001"}],"version-history":[{"count":0,"href":"https:\/\/globale-literaturfestival.de\/en\/wp-json\/wp\/v2\/posts\/31001\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/globale-literaturfestival.de\/en\/wp-json\/wp\/v2\/media\/30198"}],"wp:attachment":[{"href":"https:\/\/globale-literaturfestival.de\/en\/wp-json\/wp\/v2\/media?parent=31001"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/globale-literaturfestival.de\/en\/wp-json\/wp\/v2\/categories?post=31001"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/globale-literaturfestival.de\/en\/wp-json\/wp\/v2\/tags?post=31001"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}